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At the bottom he notes: "I’m sitting in the UK as I write this. Under UK law, I believe this should constitute fair dealing: the purpose is quotation for criticism and review, and this single screen capture is in no way an alternative to paying to see the original film. The film comes from the USA, and under USA law I think it similarly constitutes fair use: it’s for non-profit educational purposes, the amount of the full work used is extremely small, and the effect on the value of the full work negligible."
I took down my entire "Behind The Screens" YouTube channel and transferred it to my own site: https://behind-the-screens.tv because of copyright notices from YouTube that were heavily skewed towards the studios and I didn't have the energy to fight what was clearly fair use in my videos.
This section is disregarding a key lore element, the inhabitants of the grid are programs. Killing a process in this context more likely has an interpretation of an attempt to stop an individual such as the villain Clu. I would say an alternative explanation is is more story based, with Kevin Flynn trying to stop Clu from the outside world but being unable to and instead taking the last resort of entering the grid when he knows it would be dangerous.
Also -- unrelated, but a nitpick of the article -- Kevin was using the laser to come and go from the grid for a while before he got stuck there. The laser would have been pretty well-tested by the time he made/edited the last will and testament, so the article's explanation that it was his first use of the tech doesn't make sense. (He could have just spontaneously decided to update it though, which isn't too far fetched)
Or for super hacker points, edit appropriate binary using adb :)
It's such a shame the film doesn't live up to it's own soundtrack.
But kind of disagree about the film, think it was under appreciated. It isn’t a masterpiece, but the acting, the overall story, and the visuals were really good. And yeah, those dark Tron-visuals combined with the pulsing, digital daft-punk music really worked (at least for me), and when I want to get pulled into a different world, will rewatch that film.
[1] - https://www.youtube.com/watch?v=lILHEnz8fTk&list=PLO6S2qKFLc...
Thank you for identifying them though, thanks to you I learned of a badass, and I regret the loss.
Personal site: https://jtnimoy.cc/about.php.html
https://en.wikipedia.org/wiki/Twm
If you like that general esthetic, you can try that today in your GNU/Linux distro.
Invariably, I then send them this post where it shows the uptime from the host in the movie (I'll let the reader click through to see the time): https://scifi.stackexchange.com/questions/9041/whose-hardwar...
If you're curious, the longest uptime I've had someone report back was in excess of 4 years.
P.S. I also remember working at a big investment bank and the oldest Good Till Cancel order in the mainframe was a Buy CSCO @ $6 from the late 1990s (this was in 2010).
> To [switch users], /bin/login would need to be setuid, and it certainly isn’t on Linux... _Perhaps_ Solaris (or SolarOS) is different?
The login command is indeed setuid root on SunOS 4, to which the movie pays homage, as its documented behavior is "to [permanently] change from one userID to another". The su command explicitly means "temporarily switch to a new user ID".
Here are copies of the SunOS 4 manual pages, if you're curious:
http://www.typewritten.org/Manual/Sun/SunOS/4.0.2/man1/login...
http://www.typewritten.org/Manual/Sun/SunOS/4.0.2/man1/su.ht...
And here's a link to the relevant bits of the SunOS 4.1.3 source code:
https://github.com/Arquivotheca/SunOS-4.1.3/blob/2e8a93c3946...
the code apparently was legit, I think it was an SSH exploit
(btw that movie is TWENTY-SEVEN YEARS OLD)
[1] - https://nmap.org/movies/
[2] - https://blog.doyensec.com/2025/03/04/exploitable-sshd.html
It's interesting that the terminal window running top does have a proper non-proportional font. This is likely an actual screen recording of a Linux system terminal pasted into the animation.
That whole sequence is less than 30 seconds packed with information presented on a screen together with unimportant elements that are borderline confusing to non-technical audiences. I would have forgiven the art direction if they had reduced the visual complexity of this screen layout into something more cartoonish to make the story clearer.