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Ebooks sync across devices, allow for a customized presentation, quick dictionary lookups, bookmarks, etc. The only slight edge I'll give to a physical book is the ability to easily make marginal notes in pencil -- I realize that ebooks have this feature too, it's just not as immediate or as frictionless.
That said, it never occurred to me to just cut up my book, so I could continue to read it comfortably. I think I might have chosen to do so though, since I find the tactile nature of reading a physical book to be more memorable than digital. Where the words sit on the page, and the act of turning the page, the smell, all does something to my neurons. For my junk novels, I don't really care, but for the authors I cherish, the closer to the printed word I can get the better the experience I have, and the more memorable the writing in general.
* You own it forever
* Nothing to charge
* Don't have yet another screen to stare at
* Its the definitive way to collect books (similar in the sense of vinyl for music)
* Going to used bookstores is awesome
* Seeing your whole collection physically is awesome and can be a conversation starter
* Graphic novels/comics are still better physical
Nice hardware concept, completely unacceptable software.
[1] https://koreader.rocks/
https://www.davisr.me/projects/books/
You may love it, but your friend may hate it.
Keep it for yourself.
https://en.wikipedia.org/wiki/IKEA_effect
You mean, like on Reddit? ;)
As a kid I loved "pocket books"[1] because they didn't make my hand feel weak trying to hold them on a road trip and I could fit a few in my backpack.
But, obviously, not every work was published in a pocket book format.
[1]: https://en.wikipedia.org/wiki/Pocket_Books
https://www.yahoo.com/lifestyle/articles/end-mass-market-pap...
Last year, ReaderLink, the country's largest distributor of books to airports, pharmacies and big-box stores, announced that it would no longer carry mass markets. The books can still be found in some places, but "as a format, I would say it's pretty much over," Ivan Held, the president of publishing imprints Putnam, Dutton and Berkley, said to the Times.
I too mourn them - much more of a convenient size than the now ubiquitous ‘trade paperback’ - but we’re obviously in a small minority.
In fact - many old huge books are epic. I remember in the early 1990s we had a huge book about history. It detailed each year with the most important events. I loved reading in it. Even today I like it.
Unfortunately I am also now part of the digital-only guys, so I have not bought a hardcopy paper books in quite a while (excluding one exception for Raymond Feist, but by and large I only read .pdf files nowadays). So I store things in .pdf files mostly. I also hate .epub files and refuse to use them.
I still have many old books here, but new books rarely come up and I only keep books I find interesting or important or I may re-read. For instance I have one small hardcopy of 1984; I think it is an important book. And a few more like that. But I barely have any new paper books.
I don't presently have any really huge book. Not sure what I will do should I inherit huge books. On the one hand, having them is kind of cool, but I don't want to keep them in a library or shelf either, so ... I will probably not use it. But I would not chop up any book, not even on a first april. It just seems totally pointless and also defeats the point of having huge books. Huge books are kind of cool. Not practical but cool.
I read most fiction these days on my Kobo. I prefer physical volumes when I'm sitting at a desk.
> I recommend buying your own books for language learning. They can be spiced with underlines, question marks, and exclamation points; they can be thumbed and dog-eared, plucked to their essential core, and annotated so that they become a mirror of yourself.
> What shall you write in the margins? Only the forms and phrases you have understood and figured out from the context.
> Ignore what you can’t immediately understand. If a word is important, it will occur several times and explain itself anyway. Base your progress on the known, not the un- known. The more you read, the more phrases you will write in the margins. The relationship that develops between you and the knowledge you obtain will be much deeper than if you had consulted the dictionary automatically. The sense of achievement provides you with an emotional-affective charge: You have sprung open a lock; you have solved a little puzzle.
I can't really bring myself to write in the books themselves though, so I've been using separate paper. It feels wrong, even in a cheap book, like I'm defiling it.
https://en.wikipedia.org/wiki/Kat%C3%B3_Lomb
https://hn.algolia.com/?q=Kat%C3%B3+Lomb
My personal working theory:
Native speakers learn to speak first, then they learn to read and write.
From talking with high-level ESOL speakers, those that learned from written material have some very strange patterns of mistakes you can hear in their English - where they've programmed their pronunciation incorrectly very early on with basic mistakes.
Although English is an outlier here. Because English native speakers learn lots of different ways to manage how speaking and spelling are different. Plus because making speaking mistakes after learning words in books is such a social status mistake.
Personally I think if you want to learn a language, the ideal is with someone who corrects all mistakes, as though one is a baby. Although it is difficult to find this even when one can spend months in a foreign country. Not everyone feels comfortable correcting an adult.
The people that have learned English that I have spoken with that are the best all have a common trait: they've lived in a country and they MIMIC. The most amazing was a hippy Japanese guy: I remember one sentence where he shifted in the middle from broad East London to a strong Aussie accent due to where he learned the words.
I learnt conversational Spanish when I was 30. Next attempt will be 2-3 months immersed Korean as a middle aged guy so I'm looking forward to trying out my opinions!