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- Ira Glass
When I am teaching anyone any of these skills, the first thing I say is “are you ready to be bad at this for a long time?” Sometimes it catches people off guard. On the other hand, if someone says “yes” then I know that they are going to be a good learner.
I eventually got rather good, albeit slow, and now can easily finish a wall where you can’t find butt or tapered seams with a flashlight, with minimal sanding. It took many hundreds of hours over the years, and a clear idea of what the bar was, for me to get there. The results still bring me joy, but more also the intuition built up around working with mud translated to a quick ramp up for more ambitious projects with stucco and concrete.
At least you limited yourself to human scale hand-y work.
An engineer type can go down some dark yak holes trying to find solutions to achieve inhuman flatness
And they had these minor-superhero things they could do.
Like he could hammer around a corner. You would think it wasn't a big deal, but he could put wire staples places where a beginner or a fancy staple gun couldn't reach.
Because of the way the strands are laid, wire has a direction and way it "wants" to go. I'd been an electrician twenty years by that point and knew how to work it. Not strength. Not that I said any of that.
I have done quite a bit of painting and caulking for a guy who's not in the profession. I despise both with a passion, though, especially caulking, and I have never once been satisfied with a single paint or caulk job I've done. I feel like I'm the embodiment of "be bad at this for a long time," although I'm objectively probably halfway decent at it.
That is to say I think Ira Glass' quote of "You've just gotta fight your way through" to get where you want to be seems especially meaningful in the context of something like painting, where most everyone _can_ do it (or writing / storytelling in Ira's case), but very few are actually good at it.
There's one UK guy on YouTube that convinced me of the evils of water/iso sprays and the beauty of the proper silicone caulking tool.
The little wedge shaped caulking tools btw are not enough, as you need some stick to it so you can get around certain angles/items.
That is, verifying a solution is much easier than finding it!
P != NP
I think most of us have experienced this. I consider myself an above-average writer and I absolutely hate everything I write.
But the problem, for me anyway, is that it's exceedingly difficult to know what to work on next in order to improve. In that regard writing is entirely unlike a lot of sports.
My throws are bad? Better throw 100 passes a day, every day, until my muscle memory is there. I'm getting beat deep? Better work on my fitness. Maybe I'll never get to where I want to be, but at least I know why.
But improving one's writing is seemingly impenetrable, to me. I read what I write and it sucks but I have zero intuition about how to un-suck it. I fucking wish I could write like Heller, or Didion, or Tolkien. Not even in terms of writing novels but just the quality of their prose.
In the beginning it's great to practice your art by yourself with lots of safety, but sooner or later you're gonna want to to ask the public/community at large what they think of what you do, so you can get external feedback from people other's who love the same thing. I think this is probably the only way to actually get better, you need to connect with other people around it, and get their point of view. I've found this true for any creative endeavor I've tried to get better at.
Receiving criticism is probably as hard to get good at as giving criticism, so don't let the harsher stuff get into your skin as some people aren't so good at giving criticism, but you'll find lots of other useful advice that you'll agree with, and find directly actionable :)
Even if you don’t improve for 100 days straight, small successes accumulate. In a decade you will have transformed yourself.
There is just no way you won’t improve significantly if you keep trying new things and bring yourself to fail ever day.
What helped me was the saying “your first million words are gonna be shit”. I still distinctly remember, four or five years into writing every day, when things finally clicked, my voice came through, and my sentences became fun. It is delayed gratification to the max.
listening to narrations of vast variety of poetry and narrating something yourself will help you develop your specific voice and read with more intent.
you may not even need the "science of writing" this article describes. let yourself just... be with text.
https://www.gocomics.com/calvinandhobbes/1993/02/11
- Use a word like "science" to lure in the geeks
- (you don't even need to know what science is, its ok)
- Some of the geeks will push your headline to top of HN just because it had the right word in it
- Put some filler about life being hard in the article, so those who actually read it have to waste ten minutes of their lives (proving your point).
- Profit and glory!
> "The secret of the creative process is in 98% of sweat, 1% of talent and 1% of luck."
Did you have to be born to the right parents at the right time, or just avoid a car accident?
And the ability or desire to work hard has some very soft dependencies.
That turned out to be the best life experiment we ever did together. They are teens now and dealing with far more writing every day than just a couple of paragraphs. The other day I found some cards they've written for Father's Day and other holidays over the years, and I can't even tell you how impressed and proud a parent I feel whenever I see their writing. That single skill manifested in improved overall literacy and discipline. My daughter received the Presidential Award of Academic Excellence. My son was accepted to an elite college with a scholarship. He's a competetive swimmer with dozens of medals. His team competed at the state level and even set state records. They are going to be fine. And the only thing I had to do is to teach them to face the thing they hated doing. One paragraph a day.
what country do you live in where this is a normal thing?
"Good" Fiction writing is an inaccurate science but has a similar trajectory to what the author went through. To become good at it you _need_ to read other people's works (the good AND the bad stuff) to figure out for yourself what makes that writing stick out to you, and you need to learn to love to edit, and to show people what you did.
The most time consuming portion of the writing process is the editing process in my opinion. It's also my most favourite part. You take a half-formed idea and you cut. And you tweak. And then you cut some more, until paragraphs start to take the shape of the story you actually wanted to tell, and sentences become so load bearing you can't remove any of them without altering everything around it. It's a puzzle with no real "solution" other than what I feel works.
Really, it's only after I kept at this for a while (and put things out there and didn't get bad comments at all!) that I started to get a little more confident in myself and begin to go to writing groups and such. It's hard work but it's worth it, just like any skill.
Often it forces a clarity that only comes from writing ideas down in a way that's necessary to explain your results to your peers.
The process itself sucks, but the outcomes are often quite satisfying and rewarding.
Nowadays the intro/motivation/problem statement / related work (citation tax) / formulation/<actual results> / simulations / conclusions / futurework format is just soul crushing.
1. Write stuff
2. Make it better
3. Continue with step 2
It even is an algorithm.
1. Write down the problem.
2. Think very hard.
3. Write down the solution.
That would not make me hate writing less.