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Discussion (9 Comments)Read Original on HackerNews
https://youtu.be/ODR6eQOjm9w
https://github.com/Qzping/ELGAR
It's just fun to see solutions to problems you didn't even know to exist.
https://www.youtube.com/watch?v=RKT-sKtR970
> Violin bowing, the researchers say, is a much more complicated interaction to model.
It's much more difficult to use, though - you have to control lots of aspects of the simulation (using automation in DAW or MIDI controllers) to make it sound actually realistic.
OK I guess it seems like this is more of a tool for luthiers than for composers or music producers.
[1] https://audiomodeling.com/
I currently use a raspberry pi with Pianoteq as sound output for my digital piano. It got a reluctant stamp of approval from my pianist son, although of course he prefers the physical response of even a poor acoustic piano.
90s physical modelling was a very simplified modular kind of modelling. Instead of analogue oscillators and filters you had "string" models, "pipe" models, various resonators, and so on.
The models were interesting, but still quite crude and basic.
This project is the most physical kind of physical modelling. It's an unsimplified brute-force model of the entire instrument body and string system, in full.
It doesn't try to "model a resonator", it models blocks of wood with various holes, and calculates how they distort and radiate as sound passes through them.
It's ridiculously expensive computationally, but it's also the only way to get all of the nuances of the sound.
I expect they're already working on a stick-slip model for bowing.
Theoretically you could use the same technique to model a piano or guitar, and you would get something indistinguishable from a real instrument.
You'd likely need a supercomputer to run the model in anything approaching real time.
But the advantage is that once you've got it you can do insane things like replace the strings with wood instead of metal, or use different metals, or "build" nonphysical pianos that are fifty feet long and have linear overtones all the way down to the bass.